Below is a list of tracks for this release. |
Side & track no | Track and Artist | Length |
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THE CALL OF THE WEST |
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A1 | This is the BBC Home Service | 1.56 |
A2 | It is 1867 and dead on time | 1.16 |
A3 | Did you say covered wagon? | 1.46 |
A4 | A nightingale sang in Berkeley Square [Max Geldray] | 2.46 |
A5 | That night the wagon train rested on the plain | 2.20 |
A6 | Fortunately for us, folks, a bare ten miles away | 4.17 |
A7 | That night the tribes of the Sioux confederacy | 1.27 |
A8 | Gentlemen, somebody's supplying the Indians with saxophones | 0.50 |
A9 | You'd better know it [Ray Ellington] | 2.41 |
A10 | Meantime in Dodge City, Television Centre of the Old West | 2.37 |
A11 | I say barman! Drinks for my lady | 2.06 |
A12 | I'm calling you fellas! | 2.59 |
A13 | This then was the situation | 2.31 |
A14 | Ladies and gentlemen, I have pleasure in announcing a knock on the door | 2.42 |
THE LAST SMOKING SEAGOON |
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A15 | This is the BBC Home Service despite what the Light Programme says | 1.00 |
A16 | And now we present Chapter One of a new dynamic novel | 2.05 |
A17 | Welcome now to the shareholders' meeting, ladies and gentlemen | 3.27 |
A18 | Three years on and six million nerve-wracking coughs later | 1.40 |
A19 | Ladies and gentlemen, a Bow Street runner approaches | 1.20 |
A20 | What more do you want? [Max Geldray] | 2.59 |
A21 | Part four - the dreaded National Health hospital at Hampton Court | 1.56 |
A22 | And now part two of an early Roman trouser plantation | 3.03 |
A23 | Too marvellous for woods [Ray Ellington] | 2.10 |
A24 | Aeiough! Well, Ned! So we meet again thanks to skilful writing | 1.00 |
A25 | Neddie hid all the way on the boat to South America | 2.00 |
A26 | Neddie, despite the age of that joke | 2.34 |
A27 | Meantime, coughing Ned plans to escape | 2.14 |
A28 | A direct hit from the tobacco-powered Zeppelin on the rice-paper balloon | 2.36 |
1985 |
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B1 | This is the BBC Home Service | 1.23 |
B2 | My name is 846 Winston Seagoon | 1.30 |
B3 | Worker Seagoon! Did I hear you complaining? | 1.54 |
B4 | I love you, darling! | 1.40 |
B5 | That night in my room I sat out of range of the TV screen | 0.33 |
B6 | It had to be you [Max Geldray] | 2.57 |
B7 | And so I entered the forbidden Goon sector of London | 2.12 |
B8 | It was then I wandered into an antique shop | 2.10 |
B9 | Oh! Bluebottle! Eccles! | 2.02 |
B10 | Here we are! Number ten, the ITA headquarters | 1.08 |
B11 | Shake, rattle and roll [Ray Ellington] | 2.37 |
B12 | Attention! 846 Winston Seagoon | 3.21 |
B13 | So the awful torture went on | 0.58 |
B14 | Enter torturer Bluebottle! | 2.46 |
B15 | Listen, listen! Great news! | 2.38 |
SHIFTING SANDS |
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B16 | This is the BBC Light Programme | 1.32 |
B17 | The tale Bloodnok told was of India | 1.54 |
B18 | Seagoon reporting, sir! | 3.07 |
B19 | Isn't this a lovely day? [Max Geldray] | 2.52 |
B20 | Ther shifting sonds of Westerizoon, part flin | 0.55 |
B21 | A glass of port? I don't mind if I do! | 3.36 |
B22 | Look, the relief column's arrived | 1.52 |
B23 | All of you / All of me [Ray Ellington] | 2.41 |
B24 | The shifting sands of Waziristan, part three | 4.24 |
B25 | What's going on here? Who's this soldier asleep on guard? | 2.35 |
B26 | Through the long night, the Waziris attacked | |
B27 | Good morning, gentlemen. British customs officers | 1.17 |
B28 | That was all fifty-scree years ago | 3.33 |
Total length of media 2:02:25. |