Sound effects No. 1 (Various)
Please find the details I have recorded for this release.Release pictures
Front cover
Rear cover
BBC records label code
Label
Release details
| Detail | Value | ||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|
| Catalogue number | RED 47 | ||||||||||
| Title | Sound effects No. 1 | ||||||||||
| Artist(s) | Various | ||||||||||
| Cover condition | Good | ||||||||||
| Record condition | Near mint | ||||||||||
| BBC records label code | B | ||||||||||
| Item deleted? | Yes | ||||||||||
| Released | 1969 | ||||||||||
| Distributed / printed by | |||||||||||
| Country of origin | UK  | ||||||||||
| Media type | Primary | ||||||||||
| Media genre | Sound effects View all other tracks listed as Sound effects. | ||||||||||
| Run-off codes / Shop bar codes | RE + 47 + 1 BBC RE + 47 + 2 BBC | ||||||||||
| My rating | ***** | ||||||||||
| Guest rating | ***** To vote, please select one of these buttons: | ||||||||||
| Number have | 1 | ||||||||||
| What type of seller was used? | Not recorded | ||||||||||
| Where can I buy this release? | You may be able to purchase this release from the following websites (others are available!) | ||||||||||
| Amazon | |||||||||||
| Discogs | |||||||||||
| Ebay | |||||||||||
| EIL | |||||||||||
| MusicStack | |||||||||||
| Recordsale | |||||||||||
All release picturesBelow is all the cover (front, back, middle and inserts if applicable) and label pictures I have for this release. |
| Front cover |
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| Back cover |
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| Label |
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TracksBelow is a list of tracks for this release. | |||||||||||
| Side & track | Track and Artist | Length | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|
| WEATHER | |||||||||||
| A1 | Thunder - Rumbling roll | 0.17 | |||||||||
| A2 | - Booming roll | 0.10 | |||||||||
| A3 | - Sharp clap | 0.10 | |||||||||
| A4 | - Long, booming roll | 0.35 | |||||||||
| A5 | Rain (Heavy, in street) | 0.50 | |||||||||
| A6 | Wind (Eerie or sinister) | 0.50 | |||||||||
| SEASIDE ATMOSPHERE | |||||||||||
| A7 | Seagulls | 0.40 | |||||||||
| A8 | Heavy wash (on shingle) | 0.44 | |||||||||
| A9 | Water lapping (Shore of Loch Broom) | 0.45 | |||||||||
| BATHING | |||||||||||
| A10 | Diving - Springboard & Splash | 0.10 | |||||||||
| A11 | - Diving - 1 splash | 0.11 | |||||||||
| A12 | - Diving - double splash | 0.08 | |||||||||
| A13 | - Threshing water | 0.25 | |||||||||
| COUNTRY ATMOSPHERE | |||||||||||
| A14 | Birds - Cockerel | 0.15 | |||||||||
| A15 | - Chickens | 0.24 | |||||||||
| A16 | - A summer day | 0.48 | |||||||||
| A17 | Waterfall animals - Dog barking - Bull Mastiff | 0.20 | |||||||||
| A18 | - Dog howling - Goldon Setter | 0.22 | |||||||||
| A19 | - horse moves off, trots, stops | 0.40 | |||||||||
| BELLS | |||||||||||
| A20 | Church - Evercreech; ringing to end of Grandsire caters | 0.55 | |||||||||
| A21 | - St. Nicholas, Hamburg; tolling | 0.25 | |||||||||
| ALARM | |||||||||||
| A22 | Fire station alarm | 0.14 | |||||||||
| CLOCKS | |||||||||||
| A23 | Merton College, Oxford - Quarter, half & three-quarters | 1.06 | |||||||||
| A24 | - Chiming & striking 12 | 1.15 | |||||||||
| A25 | Domestic (Westminister Chimes) - Quarter, half & three-quarters | 0.50 | |||||||||
| A26 | - Chiming & striking 12 | 0.50 | |||||||||
| A27 | Greenwich pips | 0.05 | |||||||||
| BABY | |||||||||||
| A28 | Crying - 26 weeks old | 0.30 | |||||||||
| A29 | Playing - 36 weeks old | 0.30 | |||||||||
| ENTERTAINMENT | |||||||||||
| A30 | Cocktail party - Animated background chatter | 0.45 | |||||||||
| A31 | Laughter - Hearty, 30 people | 0.32 | |||||||||
| A32 | Applause - Enthusiastic, in theatre | 0.29 | |||||||||
| A33 | Cheering - Single cheer, 100 men | 0.05 | |||||||||
| A34 | - Continuous, large crowd | 0.30 | |||||||||
| OUTDOOR EVENTS | |||||||||||
| A35 | Motor racing - Start of Le Mans race | 0.40 | |||||||||
| A36 | - Cars passing at Le Mans | 0.40 | |||||||||
| POINT-TO-POINT MEETING | |||||||||||
| A37 | Background, with bookmakers | 0.40 | |||||||||
| A38 | - Horses passing at the gallop | 0.25 | |||||||||
| A39 | Stadium crowd - Atmosphere during League Match | 0.45 | |||||||||
| SPECIAL EFFECTS | |||||||||||
| A40 | Explosions - Close, sharp explosion | 0.06 | |||||||||
| A41 | - More distant, rumbling | 0.13 | |||||||||
| A42 | Fireworks - General display | 0.43 | |||||||||
| A43 | Footsteps on gravel - Man starts off, walks, stops | 0.36 | |||||||||
| A44 | Door creaks | 0.20 | |||||||||
| AIRCRAFT (JET) | |||||||||||
| B1 | Trident (3 jet engines) - Take-off | 0.50 | |||||||||
| B2 | - (Interior) Constant flight | 0.46 | |||||||||
| B3 | - Passing overhead | 0.54 | |||||||||
| B4 | - Landing & taxi | 0.50 | |||||||||
| B5 | - Airport activity | 0.36 | |||||||||
| AIRCRAFT (PROPELLER) | |||||||||||
| B6 | De Havilland Dove (Twin-propeller engine) - Take-off | 0.40 | |||||||||
| B7 | - (Interior) Constant flight | 0.46 | |||||||||
| B8 | - Passing overhead | 0.30 | |||||||||
| B9 | - Landing | 0.35 | |||||||||
| B10 | - (INTERIOR) Start engines, rev. | 1.09 | |||||||||
| SHIPS | |||||||||||
| B11 | Sirens - Liner | 0.10 | |||||||||
| B12 | - Tug (''Going astern'') | 0.05 | |||||||||
| B13 | - Ship answered by tub | 0.11 | |||||||||
| B14 | - Liner (Queen Mary) | 0.05 | |||||||||
| B15 | Cross-channel ferry - Departure preparations | 1.10 | |||||||||
| B16 | - Seawash at stern | 0.26 | |||||||||
| B17 | - Engines running at 18 knots | 0.44 | |||||||||
| B18 | - Vessel berthing | 0.44 | |||||||||
| TRAINS (DIESEL) | |||||||||||
| B19 | Diesel (English Electric Vulcan 2000 B. H. P.) - Siren, train departs | 0.30 | |||||||||
| B20 | - (INTERIOR) Constant run | 0.45 | |||||||||
| B21 | - Passing at speed | 0.25 | |||||||||
| B22 | - Arrival in station | 1.06 | |||||||||
| TRAINS (STEAM) | |||||||||||
| B23 | Steam (British Rail Southern Region) - Whistle, train departs | 0.30 | |||||||||
| B24 | - (INTERIOR) Constant run | 0.45 | |||||||||
| B25 | - Passing with whistle | 0.40 | |||||||||
| B26 | - Arrival in station | 0.42 | |||||||||
| MOTORCAR | |||||||||||
| B27 | Car (Wolsley 1660) - Starts & departs | 0.30 | |||||||||
| B28 | - (INTERIOR) Moves off to constant run | 0.45 | |||||||||
| B29 | - Passes at 60 mph | 0.21 | |||||||||
| B30 | - Arrives, stops, tick-over | 0.26 | |||||||||
| B31 | - Door opens & slams (1 & 2) | 0.15 | |||||||||
| B32 | - Various horns | 0.19 | |||||||||
| POLICE AND FIRE SERVICE | |||||||||||
| B33 | Police car (with 2-tone horn) - Approaches & stops | 0.22 | |||||||||
| B34 | - Departs | 0.20 | |||||||||
| B35 | Fire engine (with siren) - Approaches & stops | 0.42 | |||||||||
| TRAFFIC | |||||||||||
| B36 | Middle East - Busy side street | 0.47 | |||||||||
| B37 | London - Oxford Circus | 0.50 | |||||||||
| BIG BEN | |||||||||||
| B38 | Striking 12 o'clock | 1.25 | |||||||||
| Total length of media 46:29. | |||||||||||
DuplicatesBelow listed is any duplicates I have for this release. | |||||||||||
| Duplicate item 1 | Reason Re-issued sleeve, condition MMFY Run off code(s) RED 47 A-1 <> MB 1 RED 47 B-2U-1-1 | ||||||||||
| Duplicate item 2 | Reason Older label, condition DDCY Run off code(s) RE 47 1-3 G RE + 47 + 2 BBC 1 | ||||||||||
Reviews | ||
| Below is my review for this release and the ratings. | ||
| A good entry, I will include a full review asap! | ||
| Ratings | ||
|---|---|---|
| My rating | 3 | |
| Guest rating | Current average value is 3. To vote, please select one of these buttons: | |
Extra notes on cover, middle (gatefold sleeve) and any inserts | ||
| BBC SOUND EFFECTS No. 1 Compiled and edited by Rosemary Davis, actress, playwright and broadcaster who has written the following notes and hints on the use of this record. THE BBC SOUND EFFECTS LIBRARY is generally acknowledged to be the most comprehensive of its kind in the world, comprising approximately 6,000 recorded sounds. Now, for the first time, a selection of these high-quality recordings - used in BBC Radio and Television productions - has been published and made available to professional and amateur theatrical companies and film-makers. The selection has been edited to present those effects most frequently required in plays and home-movies. The record's on the turntable, you've decided which effects to use, it's simply a matter of incorporating them into your play, or on to your sound-track. If your experience and equipment are limited - have courage - it's not difficult, and the results can be sensational. SOUND EFFECTS FOR PLAYS Sound effects for plays should always be re-recorded on to tape in the order in which they will be required, with a band of coloured leader tape between them so you may see exactly where each one begins. Time the duration for which you will need a continuous background sound - like traffic - and make sure you assess the timings generously. Actors don't always play scenes at the same speed, and a line intended to mark a dramatic moment, such as: ''Will this rain never stop!'' falls damply on an audience who heard it stop just ten seconds before. Build up the required length of time on the tape by re-recording the same sound several times, being careful to eliminate any fading or silent pauses between each repetition. SOUND EFFECTS FOR FILMS I've also found it more convenient to transfer film sound effects on to tape first, in order to run film and tape together. Depending on the equipment, there could be a slight reduction in sound quality, and you may prefer to record directly on to the film. (But do practise first on the blank strip of film at the beginning and end of the reel. Film stripe works as recording tape but wears faster, especially if subjected to heavy noises.) RECORDING ON TO TAPE OR FILM To record the effect you want from the disc at the exact instant it begins, link up record player and tape-recorder / film projector, and play, without recording, the effect immediately preceding. When it ends, count to yourself the seconds that elapse before the next track begins. Now repeat the process, switching on the recorder / projector one second before the pause preceding your required effect ends. (Some film projector recording heads delay a frame or two before picking up the sound, and you may have to take this into account.) Use the recorder / projector modulator to bring up or fade out an effect - for example, the footsteps of a man departing or approaching. With most projectors it is also possible to superimpose a second effect on a background noise, through the microphone. An extension loudspeaker is desirable if best results are to be obtained. It should be situated in the location from which the reproduced sound would normally be heard: i. e. for street noises in a play, immediately outside the door or window of the set; for a film sound-track, close to the screen. The moment hen you run the film and actually hear the waves you can see thundering on to the beach is quite intoxicating. The maddening thing is, most of your audience will take it for granted. It's what they expect of waves. Good luck! Copyright note: he copying of the Sound Effects in this record onto tape for use in conjunction with a play or dubbing onto film is permitted. | ||
Other versions | ||
| I have the following similar releases in the database: | ||
| ZCM 47 | Sound effects No. 1 | |
| 51.0105 | Efectos de sonido No 1 | |
Further information | ||
| BBC Radio Enterprises Ltd and BBC Enterprises Ltd, predecessors of BBC Worldwide / BBC Worldwide Ltd., the BBC's commercial arm. Formed 1968 and 1979 respectively, they were a subsidiary wholly owned by the BBC and merged into BBC Worldwide in 1995. In that time, there were companies set up within or structured brands as part of the company to deal with separate parts of the business, e.g. BBC Records for recorded audio. Sometimes written as BBC Enterprise Ltd.
The items shown here are from the "main" BBC Records and Tapes library covering a wide secletion of genres from themes, comedy dramas and others, depending on which format you have selected. | ||
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Last modified: 31-12-2023 at 12:10:03 UK local time
Last modified: 31-12-2023 at 12:10:03 UK local time